Friday, 2 April 2010

How come all non-conformists look the same?

How come all non-conformists look the same?

When did music and fashion become a joint force not to be reckoned with?

Does music dictate fashion?

Or does fashion dictate music?

One of the first times fashion and music became a marketable concept was in the early Seventies, when Vivienne Westwood met Malcolm Maclaren, and they opened the King's Road emporium. Maclaren's band, The Sex Pistols, wore Westwood's anti-fashion designs to their first gig.

Punk was born.

The iconic figure of Sid Vicious in a ripped T-shirt continues to remind us of the power of the image and defines a turning point in the history of style.


Every group in society has their own clique, and each clique has their own cultures, characteristics and ‘rules’ one must abide by, music

being one of the most important elements.

It is becoming increasingly clear that fashion is not only dictating music, but the personalities and definitions of ‘cool’.

Today, fashion dictates our lives and what we wear. Whether at a party or at work, we want our dress to reflect our taste and attitude. On other occasions, we are keener on making a personal style statement.

Rachel Clark, a fashion student at Huddersfield University believes that groups such as goths and emos take their own twist on the meaning,

“You do get the people who look exactly the same, but then you get the extreme people who do everything on a huge scale, like dye their hair a crazy colour and shave bits off and put beads in the beards. The majority of the people who want to look "different" do end up looking like everyone else who also wants to look "different" and I think they have just got the wrong end of the stick.”

I wonder, what is it about music and fashion that go so hand-in-hand?

Fashion Rocks is an annual charity fundraiser event which features fashions by the world's top designers, being presented to live performances, by popular music acts. Naomi Campbell, supermodel and A-List bitch, has her take on the two art forms,

“Fashion and music go hand in hand, whether a catwalk or a concert, you take away the memory of both sound and style.”


Singer/songwriter Rosin Murphy echoes this,

“I definitely use fashion as part of my performance; it helps me get what I’m trying to say across a bit more.”

Amy Molyneaux of the trendy label PPQ thinks that they are many ways to analyse the parallels between fashion and music.

“I see them as two very separate things both shouting back at each other, verbalizing and visualizing the emotions of an era."

Molyneaux makes a great point, and this couldn't have been more apparent in the punk era.

Photographer Shoichi Aoki, founder of Japanese fashion magazine ‘Fruits’, specialised in capturing street fashion in Tokyo's Harajuku district. People from Harajuku have definitely grasped the idea of looking different from one another; they all dress with themes in mind and those themes range from anything to everything; candy-coloured, eye-catching ensembles, creatively mixing and modifying designer-label items with T-shirts and thrift-shop gems, coining the ‘gothic’ and ‘lolita’ looks.

The New Yorker said that though recognizable types-punks, hip-hop kids, jocks-regularly appear in the photographs, the over-all effect is less that of a tribal identity than of a super-cute costume party.

The Harajuku scene displays the street fashion of Tokyo, and believes that it can be individual and creative whilst still having fun.

Brett Anderson said on the BBC documentary series ‘Seven Ages Of Rock’, that any burgeoning movement starts of as a brilliant scene, but when the corporate giants think 'Ah-ha, that's what the youths are into', it becomes totally mainstream and destroys it. Perhaps this is why non-conformists are constantly moving away from the status quo? For example, the reason why punk started in the 1970’s; as a reaction against the empty stadium rock and hedonism of the hippy era.


People who say they're not following the crowd nor want to dress like everybody else are insecure with themselves or have low self esteem. They appear that they are rebelling against the norm, when in fact they're conforming to another group of lookalikes.


I dictate my fashion of course, but I find music videos, store windows, musicians, television programs, designers and just the general scene of a particular location have some impact.

From the Harajuko girls in Japan to chic Parisians, location on top of everything else influences your style.

So in answering my first question: yes, music influences fashion, and fashion influences music, but then again so do many things.

The comic genious of South Park sums up my point nicely:


Whilst Butter's appears to be the conformist and the conventional one because he's not in the Goth-Gang, reaffirms that, in actual fact, Butter's is the real non-conformist. He follows no rules therefore does not have to abide by what is expected of him. Some would argue he is the real 'punk'.






Fashion and Music definitely have an effect on each; northern soul and the Mod era, Vivienne Westwood and punk music, nu-rave with neon’s 80s/90s revival. Everyone I have interviewed has told me the same thing; wear something that defines you; that makes you a leader not a follower.

Cheryl



Cheryl


It's only natural to forget that the former Mrs Cole is actually famous for being a popstar, and granted, she doesn't write her own material nor does she have the best voice, or play a musical instrument...wait a minute; why am I writing about her again? Oh yes, her new single.

Cheryl Cole’s third offering is another collaboration with the genius that is Will.i.Am. The lyrics may be cheesy but the energy this song exudes causes shockwaves through all who listen. The military drums and sparse instrumentation take you to a Spanish court yard of tapas and sangria, with Cheryl repeatedly purring in a low growl: “I don’t need a parachute, baby if I got you / Baby if I got you, I don’t need a parachute.”Definitely the best single so far to come from her album 3 Words with an enticing video to match.

Are artists such as Cheryl merely glorified karaoke singers?

Sometimes in life, someone is able to express a situation or a feeling so much better than you ever could dream, and this is the case with the 3 Words album. Songs like Fight For This Love, annoying yes, but admittedly a good pop record. It expresses to the world the state of the starlets marriage in lyrics and melodies this young Geordie could only dream of. I have nothing good or constructive to say about 3 Words, the song that is, not the album. Such a bland 3 and a half minutes with an equally dull video. Sometimes even Cheryl needs to form an opinion without thinking everything Will.I.Am touches turns into gold because lady, this is arguably the weakest song on the whole album.
Despite this, this album is better than most critics predicted.

No one has owned the past twelve months like our Geordie princess.

Blonde Ambition


BLONDE AMBITION



What is it about Blondes that music so interesting?
The ones you can rely on to make life taste a little more like sprinkled sugar on top?



Debbi
e Harry famously dyed her hair blonde, leaving only a square patch at the base of her hair her natural colour; why did she dye it that bit lighter? Why does anyone?

Delta Goodrem produced some of her darkest music when she had a mop of brown hair, granted, she had just recovered from cancer thus provoking such emotions, but later when she dyed her hair back to blonde, it was like shedding skin. She felt free and in love with music again.


Madonna, the chameleon of them all, has changed from all manner of shades, yet always migrated back to the honey tones she fashions today.
Hair colour, obviously, has nothing to do with music, yet when one dyes their hair they feel like a different person; a new person. Naturally, we find ourselves acting 'how a brunette would act', which is basically stereotyping a person by their hair colour, however, this must have an impact on the minds of individuals and thus the music they create, right?




Madonna's Frozen was moodier than Hollywood:





Delta's Mistaken Identity darker than In This Life:



Christina Aguilera's Fighter more serious than Candy Man:




Pinks Family Portrait and Just Like A Pill were a lot greyer than So What



...Is this intentional? A coincidence? Are all of these talented ladies victims of the stereotype?

"My hair is darker therefore I feel/should feel more mature, sensible, sensitive, mysterious..."

Is the Betty/Marilyn debate a marketing tool and really, shouldn't matter at all?


Wednesday, 17 February 2010

Ellie Goulding




Foundation: Use tinted moisturiser for natural olive-looking skin. Try not to apply too much as it can make your skin appear oily.

Mascara: very subtle brown

Lipstick: Peach coloured lipgloss


Lipstick Rating:









My positive reviews couldn’t last forever now could they?!

Someone had to slip through the Lipstick-Lyrics net, and it just so happens to be this lady.

I am yet to be impressed by Ellie Goulding. Fair enough, Starry Eyed and Under The Sheets are okay pop records but her winning the Best Newcomer Award at this year’s Brits against the likes of Marina And The Diamonds is actually ridiculous.
She seems like a nice enough girl; gracious and polite, but is she really the future of British music? John Lennon will be turning in his grave. The thing with Goulding is that she lacks a certain element rock/pop stars have these days, a certain quality and je-ne-sais-quo.

In a recent interview with NME's James McManon she revealed she doesn't go out or do anything with her life that is remotely fun..oh yeah, except go to the gym.
Now, I'm not condemning people keeping fit, but come on Ellie, your music isn’t that exciting nor is your life so why don’t you quit boring us all with your annoying baby voice and equally annoying face.

I want my rock stars to have personality but for me, Ellie Goulding is about as memorable as the carpet in an airport lounge.


Sunday, 14 February 2010

Marina And The Diamonds





Foundation: Marina is blessed with good skin, so drink lots of water to achieve her flawless complexion! Failing that, tinted moisturiser will act as a foundation base without being too heavy.

Eye Shadow Colour: Black Kohl Eyeliner, use eyelash curlers before applying mascara for maximam lashes.

Lipstick: For a dramatic effect try bright red lipstick, but if eyes are to remain the focus keep the lips nude.



Lipstick Rating:





Drinkin’ champagne, to forget yesterday” is my motto for this year, and is inspired from a very endearing artist. 2009 was the year of Florence, Little Boots and La Roux, 2010 will be known as the year of Marina And The Diamonds. Innovative, creative and completely refreshing, she’s making her way through mainstream ears after years of climbing the ladder of a harsh industry.

Marina has been compared to Kate Bush and Annie Lennox, but personally I think her sound is an entity unto itself. Her songs are crafted, moulded and then polished, cleaned out, spruced up and dressed to the nines.

The best song on The Family Jewels album is Mowgli’s Road which showcases Marina’s wide dynamic range and theatrical song writing, whilst Obsessions is simple with the piano and vocal to the fore and the backing largely unobtrusive, similar in the style of the power pop ballad I Am Not A Robot, in that you can let the music wash over you.

The Greeks can keep Calliope; in modern-day mythology she is the closest thing to a Goddess, albeit one with a very earthy appeal. Hollywood is sure to be a favourite among teeny-boppers the world over, with a sassy video and cheeky lyrics including, "Oh my God, you look just like Shakira. No no, you're Catherine Zeta. Actually, my name's Marina” and she is one of those rare gems who sound better live than on record.

The Family Jewels is an album purring with influences which Marina states are Old Hollywood icons, 1970's Barbie dolls, Episodes of Ab Fab, Crimped hair & Knitted Strawberries, yet it never mimics or turns into a pastiche.

I cannot stop listening to this album, it is a sickness! And when I'm not blasting it through my speakers it plays continuously in my head...!

Guilty, Oh No, and Girls are all growers, I have no doubt in my mind that, despite it being only February, this will most certainly be in my top 3 albums of the year.

This record is full of surprises, twists and turns; is it pop art? A postmodern experiment? A little bit of both perhaps. One thing certain is: Marina will be the sound of 2010 and beyond.

Monday, 12 October 2009

Ellen And The Escapades






Ellen And The Escapades









Foundation: Ellen has pale-olive skin so some tinted moisturiser works well and keeps the look very natural

Eye Shadow Colour: Rustic browns, chocolates and rich darks to create the perfect folk-pop look

Blush: Try a mineral enhanced bronzer to sweep over the cheeks, followed by a rosy blush in the centre of the apples.

Leeds-based Ellen And The Escapades are a 5-piece band of folk-infused pop with a pinch of indie, fronted by singer/songwriter Ellen Smith. Beneath the plaid shirts and hippy headbands, Smith is one seriously talented Yorkshire lady, whose march to success has so far been an unstoppable one.

Having recently got back from their tour of Switzerland, Ellen And The Escapades also performed on the BBC Introducing Stage at this summer’s Reading and Leeds Festival, and have supported the likes of Fanfarlow, Mike Sanchez (the dude who supported Led Zeppelin), Sky Larkin, Tigers That Talked and Howard Elliot Payne, to name but a few.

Smith is an English KT Tunstall, only better. The gritty acoustic guitar and rich harmonica make for a listen that is as raw as a knee scuffed on the first day of school. Her husky voice stretches effortlessly across an impressive vocal-range; the music created from these humble instruments is one magic carpet ride from start to finish.

The band, who met at Leeds College of Music, have different influences such as The Beatles, Mumford And Sons, Carole King and Bob Dylan, yet collectively they make perfect folk-pop that is utterly absorbing; full-bodied music that overwhelms the senses and the soul.

Thursday, 10 September 2009

Katherine Jenkins






Katherine Jenkins

Sacred Arias







Foundation:
Award-winning Welsh mezzo-soprano Katherine Jenkins has redefined Classical crossover, and is pioneering a new type of Opera superstar.

Eye Shadow Colour: Think classic colours; navy and peach, very old-Hollywood.

Lipstick Rating:





Tips: Apply plenty of blush for a rosy Hollywood-starlet glow.


Try Bourjois Rose.



This album gives us further evidence this lady is as passionate as she is a perfectionist.
I dare to ask the question, how much more amazingly talented and beautiful can Jenkins get?
A truly captivating album, she managed to cast a bewitching spell leaving me in a serene trance whilst listening.

The arrangements are subtle enough to showcase Jenkins’ hauntingly beautiful vocals, stretching effortlessly across six octaves.

For this album, Katherine used memories and experiences from her childhood in the valleys of Wales, which inspired her highly anticipated sixth album. It includes arias, popular songs - some sung in Italian - as well as classical crossover music and traditional hymns.

Highlights on the album include Pie Jesu, Ave Maria, and a cover of Leonard Cohen’s Hallelujah – although it owes more to Jeff Buckley’s version. Yet, I find it hard to pick out favourites in an album so spectacular.

Sacred Arias will be Jenkins' final album with Universal, when she’ll join the Warner Music Group in a bid to break into the American market.
Even if you’re not a fan of opera or classical music, if this album doesn’t impress you I don’t know what will.